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It was only in 2004 that a living woman, Marlene Dumas, broke through the $1m barrier.
At the top end of the market, the people who can afford to spend a lot are entrepreneurial men.
"It's a constant source of disappointment to see the discrepancy in prices between outstanding female artists and their male counterparts," Mr Wirth said.
"An artist's gender should have nothing to do with their market value.
The likes of Artemisia Gentileschi, born in 1593, and her contemporary Fede Galizia were considered great painters of their day. "The likes of Bridget Riley and Louise Bourgeois are of the second and third rank. "The problem has been that female artists have been historically excluded from museums," he told The Art Newspaper.
"Now there are more female curators and a new generation of male curators rewriting art history." Pilar Ordovas, the head of contemporary art at Christie's, also rejected claims the market is sexist.
And they buy entrepreneurial artists – Warhol, Hirst, Koons – artists they perhaps identify with. Women don't tend to have factories of assistants churning out work.
If you want to boost an artist's price you need to bring their work to auction again and again.
Mr Wirth complained that, while even the best-known female artists sell for around £2m-3m, lesser male artists make more money at auction: "Surely the art market, of all places, should be free of such prejudices.Tags: Adult Dating, affair dating, sex dating